Author Topic: Plea for Help  (Read 2669 times)

Parker

  • Level 12
  • *****
  • Posts: 531
  • Fell Points: 1
  • Well, what if there is no tomorrow?
    • View Profile
    • My Website
Plea for Help
« on: May 16, 2007, 12:55:33 AM »
Hi all.  I just found out I have a chance to have an editor or agent read a piece I've written and sit down with me one on one to talk about it.  The only problem is that I need to email it by Saturday, and the piece I want to use is a brand new chapter I wrote for my latest book--meaning no one's workshopped it or evaluated it as yet.  If any of you out there have a bit of spare time and would like to read it, I'm going to cut and paste it below.  I'd rather not give you too much background, since the agent/editor won't have any more than the fact that it's YA fantasy.  Feel free to rip it to pieces and be as picky as you want.  (Although as a side note, I'm reformatting it for the web, so if there's an extra return somewhere by accident, you can ignore that.)  I would appreciate broad, sweeping comments or sentence level concerns or anything in between.  If you'd rather email me your comments, you can send replies to cundick [at] gmail.com.  Many thanks in advance.  Oh--and I'll probably be emailing Friday, so comments after then, while appreciated, will be less than completely useful.  Here's the submission:

Death in the Modern Day

Chapter One
Blood

I opened my eyes to see the walls of my bedroom shimmering with heat.  Above me, a cloud of brown smoke hid the ceiling, swirling around my bed and diving into my lungs.  My body shook with coughing, and I stumbled out of bed and into a crouch on the floor, hoping there might be some cleaner air down there.  The carpet was steaming, probably from flames below me in the kitchen.  Had it been a flashover?  Why hadn’t my smoke detector worked?

At least my room hadn’t caught fire yet.  Despite the shimmer to the air, it didn’t feel hot, but if I didn’t get out of there soon, I’d suffocate.  Already my lungs felt starved, as if what I was breathing was doing next to nothing for me.  This couldn’t be happening.  Part of me kept praying it was a nightmare--just like the ones I’d always had--but I knew it wasn’t.  This was too vivid.

I crawled to my door and put up a hand to open it, then paused and simply touched it first.  Elementary school had drilled into me the idea that I should feel a door handle before I opened it, and mine was cool to the touch.  Normal.  There was a draft of air coming in from under the door, but that was all.  The fire had to be all downstairs.  But then, why was there this much smoke?  It didn’t matter.  Flickers of light were flashing at the edge of my vision, and I felt like I hadn’t gotten any air since I had woken up--as if I’d been holding my breath the whole time.  I had to get out.

As soon as I opened the door, everything around me disappeared in a blast of fire and noise.  It felt like a linebacker crashed into me from behind, hurling me forward out of my room, my face crashing into the hall wall opposite my door.  When I could think again, my mouth was full of blood.  It felt like I had split my lip wide open and broken my nose.

It wasn’t until I had blinked a few times--my eyes stinging and tearing in the smoke--and cleared my head that I saw I was sitting in the middle of an inferno.  My lungs were breathing in smoke, but it still felt better than it had in my room.  Orange and red flames licked the walls all around me, as if they had just been waiting for me to open the door and let them in.  I knew what that was: a backdraft.  A fire gets deprived of oxygen and stops combusting, but still maintains the heat.  When oxygen comes back--by a door opening, for example--the fire literally explodes back into life.  But if it had been a backdraft, I should have been burned to a crisp right now.
Instead, I wasn’t even sweating.  I looked down.

My t-shirt and shorts were burning.

Stop, drop and roll.  This was the reason I had always read up on what to do in fires.  The room spun around in a tight circle, the flames blurring into orange streaks as I tried to put out my clothes.  Was my skin too badly damaged?  Had the nerve endings been fried again?  Was I in shock?  Even as I rolled, I couldn’t stop coughing.  The air smelled like a campfire, and I could taste the smoke as it poured down my throat with each breath.

I was still in my tumbling routine when I saw a face next to my mine.  Black helmet, clear gas mask: a firefighter.  I coughed twice more, then felt my vision going dim.  It was as if my body, seeing help arrive, had decided to give up on me.  The last thing I remembered was the firefighter leaning over me, and then I blacked out.

#

Consciousness came back slowly, in stages.  At first there was nothing, and then my hearing returned, although I for the first while I didn’t really understand what was being said.  It was like my brain was hazy.

“--we going to tell him?”  My dad’s voice.

Mom answered.  “There’ll be time for it after a while.  Let’s just be sure he’s okay before we make any plans.  And if he doesn’t remember anything about it, then we don’t need to bring it up.”

“What about your mother?” Dad said.  “Shouldn’t we at least--”

“No.  We don’t talk about her.  The less he knows, the better.  Maybe if he’s not reminded, he won’t--wait.  He’s moving.”

My eyelids opened and I saw I was sitting in a hospital bed.  No tubes or anything sticking out of me, so I couldn’t have been in that bad of shape.  The room was lit with fluorescent light, which made both of my parents seemed pale and worn, an effect made even more pointed by the ash smudges at the edge of both their faces.  They’d clearly tried to clean themselves up, and even more clearly hadn’t done a great job of it.

“Tomas?” Mom said.  She came over to the bed and put her hand on my forehead.  Mom was thin and tall, and even with no sleep and tired eyes, she still managed to look in control, with her hair pulled back in a pony tail and her back straight.  “How are you feeling?”

I blinked, and my thoughts started to click together.  “The house.  What happened?”

Dad swallowed before answering.  “It’s gone.  The firefighter’s response was quick, but . . . there was nothing they could do.”
What could I say in response to that?  The scene flashed through my mind again: the smoke, the smells.  Fire eating the hallway, cracking the glass in picture frames.  “Everything?”

“Everything but us,” Dad said.  “And that’s all that really matters, right?”

We were all quiet after he’d said that.  I don’t think any of us really believed it.  My mind conjured up images of the living room engulfed in flames, the kitchen--my computer, our movie collection, Mom’s recipe books from her grandmother.  Dad spoke up again. 
“I--I’m sorry, Tomas.”

I stared at him.  “For what?  Did you start the fire?”

He shook his head and ran his fingers through his hair, something he only did when he was stressed.  “No.  We don’t know how that happened, but I should have been there for you.  We were running late on our date, and when we got home, the fire was already in full force.  The neighbors had called it in, and your mom and I rushed in to try and get to you, but the firemen stopped us.  It was so hot.  I couldn’t . . .”  He trailed off, his throat practically convulsing as he kept swallowing.  He pushed his glasses up his nose, and for a moment, he seemed like a stranger.  Middle aged, slightly overweight and completely powerless.  No one likes to see his dad look like that.

“It’s okay, Dad,” I said.  I wanted to make him feel better.  “You’re not supposed to go into a house fire, no matter what.  That’s one of the first rules of dealing with fires.  And like you said, I’m fine.  No worries.”

He nodded, but didn’t say anything in response.  Mom looked at both of us, her face lined with concern.” 

I turned to her, giving Dad some time to think.  “What happened?” I asked.  “I could have sworn I was in the middle of the blaze.  How am I not hurt?”

A voice spoke from the doorway.  “That’s what we’d like to know, too.”  A doctor entered, replete in full doctor-in-a-hospital regalia.  He even had his clipboard, which he switched to his other hand as he walked over to me and shook my hand.  “I’m Dr. Geld.  Glad to see you up and awake again.”

“How long have I been out?” I asked.

He smiled.  “About eight hours.  Enough time for us to get some oxygen into you, get you back into working condition and for your body to get the rest it needed to recover.  You inhaled a lot of smoke, but you’re going to be fine.  Do you remember much of what happened last night?”

I shook my head.  “Not much.  I woke up with my room covered in smoke, but it wasn’t hot.  When I opened my door . . . something blew up.  I hit my head . . .”  I had been surrounded by fire.  The temperature inside a burning house can get as hot as 1500 degrees Fahrenheit.  The average is 1200.  Crematories burn at about 1600 degrees.  These were facts I had known since I was seven.  I glanced down at my old burn scar that covered all of my right arm and then some, turning my skin mottled and rippled, like a melted candle.  Knowing about fire was supposed to have kept me safe from it in the future.

Dr. Geld cleared his throat, calling me back to attention.  “Yes,” he said.  “Well that explains some of it.  The firefighter said he found you out in the hall by your bedroom.  His guess had been that you had been involved in a backdraft, with your room being the focal point.  But since you say the temperature inside wasn’t too high--and your body thankfully confirms that for us--we’ll have to just say you’re an extremely lucky young man.”

Lucky?  To have fire ruin my life twice, when most people never have to deal with it at all?  “Yeah,” I said.  “Lucky.”

“Right,” Dr. Geld said, and made a couple of notes on his clipboard.  “I did have one question for you--or your parents.  We ran a few basic tests to make sure your son was alright.  There seems to be some extensive scarring in his lungs.  Healed already--we think--but if you could just confirm--”

“He was in an accident when he was little,” Mom said.  “He almost drowned.  The scars are from then.”

Dr. Geld frowned and flipped through his papers  “From drowning?  I would have thought it had come from when he was originally burned.  The charts--”

“It happened at the same time,” I said.  I was sick of people always tiptoeing around it.  “When I was six, I almost drowned, and they found me with third degree burns on my right arm and side of my torso.  It’s on my records, if you’d get them from my doctor.”

“Oh,” the doctor said.  I knew what he was thinking: how does someone get third degree burns while they’re drowning?  I didn’t know the answer.  “Well in that case,” he continued, “I’m happy to say I can give you a clean bill of health.  You’re free to check out whenever you want to.”  There was another round of hand shaking, and then he left us.

“Free to check out,” I said after an uncomfortable pause.  “Check out to where?”

“Well,” Dad said.  “Your mother and I have been talking about that, and we think we have a sort of plan thought out.  The first part’s easy.  We already have reservations at a local hotel for tonight.  We’ll take a taxi over when you’re ready to move--”

“A taxi?” I said.

“The . . . uh . . .”  Dad paused.  “The car was in the garage.”

“Oh,” I said.  “Of course.”

“Anyway,” he continued.  “We’ll take a taxi over and stay there for the next couple of days while we try and get everything back in order.  I’ve already talked to the library.  They’re being very understanding.”

Mom and Dad had already thought everything through.  That was a relief.  It was at times like these that I was glad I had parents.  “Good,” I said.  “Then what?  We go house hunting?”

Dad and Mom exchanged glances, and it was Mom who answered.  “That’s the thing.  We’ve been on the phone with the insurance agent, and it wasn’t all good news.”

“What’s the problem?” I asked.

“Housing costs have skyrocketed in the last few years,” Mom said.  “And . . . well, your father and I weren’t as on top of keeping our insurance up to date as we should have been.”

I stared at them.  Insurance?  “What do you mean?”

“It means we were under-insured,” Dad said.  “Pretty badly.”

That wasn’t making things any clearer for me.  Mom explained.  “To buy another house like the one we had would cost about four hundred thousand dollars.  We were only insured for two hundred, and that includes all our belongings.”

“But that’s what insurance is for, right?” I said.  “To pay you back for all the stuff you lost.  Don’t the insurance people make sure you’ve done things right?  Or the bank--what about them?  They probably--”

“It’s complicated, Tomas,” Dad said.  “But trust me, we already looked into it, and I’m going to look into it a lot more before we do anything final, but that doesn’t mean we should ignore what is a very real possibility.  Moving.”

“We can’t afford to live in this area any more,” Mom said.  “Not on our savings.  The insurance money will pay off our loans and even give us some money to work with, but not enough.  So your father and I can either commute to work, or . . .”

“Or we could try something a little more drastic,” Dad finished.

“Drastic?” I said.

Dad nodded.  “How would you feel about moving to Slovakia?”

I gaped.  They hadn’t let me go back to Slovakia since I was six and had the accident.  They hardly even talked to me about the place, despite it being where we’d lived for three years, and where Mom had grown up.  “Really?” I said.

Mom glanced and Dad, then said, “Yes.  Our savings would go much further there, and we’d be able to keep our standard of living without much loss.  It’s something we’ve thought about doing for years, but there was always a reason to stay in America.  Now . . .  Your Uncle Lubos said he could probably have a job arranged for me fairly easily.  He knows someone at an ESL school, and they’ve been looking for quality teachers.”

“What about Dad?”

“I could try writing again,” Dad said.  “That’s what I wanted to do before.  At Slovak prices, even a moderate American sale would be as good as a full time job.  I know you’re in the middle of high school and it wouldn’t--”

“I’ll do it,” I said.

That caught both of them off guard.  “Are you sure you don’t want to--” Mom started.

“I don’t need to think about it.  You guys want to do it, and it’s not like I’d be leaving anything great here.  What’s to lose?”

Dad looked at Mom again, then cleared his throat and turned back to me.  “What do you remember about Slovakia?”

I shrugged.  “Not much.  I was six.  There were a lot of trees, and there was a playground near our house.  That’s about it.”

“You don’t remember anything strange?” Mom said.

“No,” I said.  “I hardly remember anything at all.”

Mom and Dad looked at each other yet again.  It felt like they were debating telling me some life-altering secret.  “What is it?” I asked.

“Nothing,” Mom said.

Dad’s shoulders slumped in what looked like relief, and he actually smiled.  “Don’t worry about it,” he said.  “We can talk more later.”

“One more thing, though,” I said.  “When I was still out of it, were you guys talking about Babka?”  Babka’s what we called my mom’s mom.  She’d been dead since my mom was a teenager.

Mom looked at me blankly.  “No.  Why?”

Maybe I had been more out of it than I knew.  Or maybe Mom was lying.  I looked over at Dad, who was fiddling with his cell phone.  Now probably wasn’t the time to push for answers.  “I thought I heard you say something about her,” I said.  “It must have been a dream or something.”

“You’ve been through a lot,” Mom said and smiled.  Her face looked like it had gotten some new wrinkles on it since last night at dinner.  “Things will get better.”

Dad spoke up.  “Right now, we need to see about getting to the hotel and restoring some semblance of order to our lives.  Let’s get you dressed.  Mom went out and got you some new clothes.”

Of course.  My entire wardrobe had gone up in the blaze.  The memory of my t-shirt and shorts smoldering on my skin came back in a flash as I sat up.  “Dad,” I said.  “My clothes were burning.  I remember that.  How is it that I’m not touched?”

He paused while taking out some jeans from a plastic bag, then looked at me and shrugged.  “I really don’t know.  All I can say is that it must have been a miracle, and that’s all the explanation we’re likely to ever get.”

It wasn’t.  I understood it all eventually, but that explanation didn’t come until I’d been in Slovakia for a while.

WriterDan

  • Level 11
  • *
  • Posts: 463
  • Fell Points: 0
  • Babble from below, bubbles from above...
    • View Profile
    • Shelfari page
Re: Plea for Help
« Reply #1 on: May 16, 2007, 07:07:50 PM »
Okay, so here are my thoughts.  Please try your best to take them with a grain of salt.  I've been known to suggest too much, historically, and papers that I try to edit just end up looking like they have the bleeding death.  For each large suggestion, I'll try to put in a few examples that I see.  So, for what it's worth...

This is what I think needs some work:

1)  All of the information about fires:
                   -things I knew from elementary school
                   -explanation of what backdrafts are
                   -Was it a flashover? (I'm not even sure what this is...)
                   -feel the door before you open it to make sure it's not hot
                   -temperature inside a burning house
      make this sound more like something a fireman would read to a bunch of kids, and no so much a novel.  Also, it broke up the flow of the story quite a bit.

2)  Parents are pretty formal in their speech.  First part about grandma a bit Maid & Butlerish too. (We don't talk about her...)

3)  Sense of urgency/fear in the opening sequence with the fire has a lot of things that slow down the feel of the scene:
                  -hoping there might be some cleaner air down there (just make it cleaner and have him grateful for it)
                  -probably from flames below in the kitchen (more worry to get out than why the carpet is steaming)
                  -part of me kept praying it was  a nightmare (implies history, but he's just woken up.  Too soon to use this?)
                  -I should have been burned to a crisp right now (again, worry about mortality should be emphasized)
                  -Was my skin too badly damaged? (His clothes are still on fire at this point.  I think.)

4)  Need a bit more imagery:
                  -orange and yellow flames licking the walls (black/charred walls, waves of heat blasting over him -- that is
                          if he can even feel the heat.  And if not, why hasn't he noticed it until now?  Just curious...)
                  -middle of an inferno (same as above)
                  -smoke (word used a lot.  Maybe thick black clouds.  Or floating ash?)
                  -hospital room empty (include stuff to make it feel more real.  He's probably at least hooked up to some sort of machine for observation at this point: beeping, etc)

5)  First impression was that the main character was a girl.  Was kind of surprised when her name was Thomas, then figured out that it was a guy.  Don't know why I got that impression.  Maybe there could be some baseball posters on the walls?

6) He passed out really fast.  Very little suggestion of passing out prior to him blacking out.

7)  Final sentence pulls away from 1st person narrative feel and tries to grab suspense that the story hasn't yet earned.

Good stuff (again, I'm historically lean in this area...  sorry.):

1)  Started in the middle of a crisis -- always good.

2)  History with fire -- intriguing

3)  Major change in the near future, going to Slovakia -- encourages to read more

Final draft suggestions

1) Read aloud to yourself or someone else.  This helps me a TON.

2) Give yourself a day or so (more if you had the time) to get away from it, and then come back.  This helps me see lots of new edits that need to be done too.

Dang, I'm jealous.  :)  Best of luck to you.

Dan
Dovie'andi se tovya sagain

I review books at Elitist Book Reviews.  Check us out.

Tink

  • Level 11
  • *
  • Posts: 423
  • Fell Points: 0
    • View Profile
Re: Plea for Help
« Reply #2 on: May 17, 2007, 08:47:47 PM »
I'd suggest increasing the pacing at the beginning. For example, have the character wake up because he's coughing, then open his eyes causing them to sting of smoke, and then have him dive to the floor. It didn't seem to urgent when he woke up, like he was waking up on any other day. It took me a couple of sentences to realize that it was fire. At first I thought it was a hot day and the AC didn't work, or something. Then I was confused by the brown cloud of smoke. Knowing it was YA, I thought the cloud of smoke was mystical (esp. with the description of it diving into his lungs). I reoriented myself, but it took a few sentences.

I didn't have the same problem with gender--I assumed it was a guy--but I don't think there was anything that necessarily pointed either way.

I didn't really get the age of the character until they mentioned high school. I couldn't tell by the way he was acting or how he spoke. Don't know if that's a major problem, but before his parents showed up, I wasn't sure if he was in his 20s or something.

There are definitely some intriguing stuff about him not getting burned, but yet he was burned as a kid, so it's possible. That kind of pulls you in. I'm also wondering how he drowned and got burned at the same time.

The dialog didn't really feel realistic. How deep have you developed your characters? The dialog didn't feel distinctive from one character to another. If you've developed your characters in your mind, it's easier to imagine how they would talk.

There didn't seem like a lot of connection going on between the characters--as if they just met rather than being a family.

In a way, it seems like they don't really want to go back to Slovakia (despite saying they've been thinking about it), and are really worried about moving back there. It creates some intrigue as to why (and why the mom lied about talking about her mother), but at the same time seems weird.

Also, why does Tomas not have anything to stay for? If he's lived there since 6 years old, you'd think he'd have some friends there, despite his burns. I'm surprised he's so willing to move.

Parker

  • Level 12
  • *****
  • Posts: 531
  • Fell Points: 1
  • Well, what if there is no tomorrow?
    • View Profile
    • My Website
Re: Plea for Help
« Reply #3 on: May 19, 2007, 02:36:21 AM »
Thanks to everyone who posted their comments or emailed me.  I feel like the chapter's become much stronger with your help.  I'll be sure to keep you updated should something good come of this.

Parker

  • Level 12
  • *****
  • Posts: 531
  • Fell Points: 1
  • Well, what if there is no tomorrow?
    • View Profile
    • My Website
Re: Plea for Help
« Reply #4 on: June 13, 2007, 04:23:41 AM »
I met with the editor today--she's from HarperCollins.  Actually, it turns out we grew up about ten minutes apart, back in Pennsylvania.  Anyway, she loved the opening chapter and wants to see the entire manuscript!  It was a very positive meeting, with her getting more excited about the book the more I told her about it.  She was even thinking it might make a great graphic novel, which is a new idea to me.  I even ran a couple other books by her that I'm working on, and she was very gung ho about all of them.  The meeting couldn't have gone better.  Now I just need to finish the rewrite and get it to her.  I told her it would take about a month.  She was fine with that.

Anyway--just thought I'd give you the update and thank all of you who made suggested on how to improve my chapter.  They worked!

Aen Elderberry

  • Level 5
  • *
  • Posts: 115
  • Fell Points: 2
    • View Profile
Re: Plea for Help
« Reply #5 on: June 13, 2007, 05:07:46 PM »
Awesome!

Go Parker!
"It is our choices, Harry, that show what we truly are, far more than our abilities." - Albus Dumbledore

"It is important to fight, and fight again, and keep fighting, for only then can evil be kept at bay, though never quite eradicated." - Albus Dumbledore

WriterDan

  • Level 11
  • *
  • Posts: 463
  • Fell Points: 0
  • Babble from below, bubbles from above...
    • View Profile
    • Shelfari page
Re: Plea for Help
« Reply #6 on: June 13, 2007, 07:35:57 PM »
Do we get to see the rewrite?
Dovie'andi se tovya sagain

I review books at Elitist Book Reviews.  Check us out.

Christopher

  • Level 3
  • ***
  • Posts: 47
  • Fell Points: 0
  • Blah...blah... BOO!
    • View Profile
Re: Plea for Help
« Reply #7 on: June 16, 2007, 10:00:47 PM »
That's great that the editor wants to see more.

Now, before you send anything, here's another critique for ya.

I just read the story and Dan's comments posted above. I agree with his comments, and I'll tell you why your story has those problems.

You're writing in First Person.

Generally, this is a bad idea. Let me explain.

Lots of people who write in first person overindulge  in character thought and commentary. This creates two problems. 1) It slows down the pacing too much and 2) It creates character thought and focus problems that are not realistic to the events and actions. Let me give you some examples from your story.

EXAMPLE #1: Elementary school had drilled into me the idea that I should feel a door handle before I opened it, and mine was cool to the touch.

So, in the middle of a life-threatening fire, he's pondering elementary school? When a person is in a fire, they are only thinking about the fire. They aren't pondering where they got information, they are just acting.

EXAMPLE #2:  I felt like I hadn’t gotten any air since I had woken up--as if I’d been holding my breath the whole time.  I had to get out.

Same thing here. A person who is having trouble getting air is simply trying to get air, not thinking about how long he hasn't had air--"since I had woken up".

EXAMPLE #3: As soon as I opened the door, everything around me disappeared in a blast of fire and noise.  It felt like a linebacker crashed into me from behind

When you open a door and get hit, do you think, "Well, hey, that felt like a linebacker crashing into me." No. You aren't thinking about anything. Your experiencing stuff. Like the floor rushing up at you, or your eyebrows burning off, whatever...

EXAMPLE #4:  I knew what that was: a backdraft.  A fire gets deprived of oxygen and stops combusting, but still maintains the heat.  When oxygen comes back--by a door opening, for example--the fire literally explodes back into life.

Again, if you are in the middle of a backdraft, you aren't thinking about the definition of "backdraft", you're just burnin' , baby. You are experiencing fear, terror, pain. And you aren't thinking off very much of anything.

EXAMPLE #5:  Stop, drop and roll.  This was the reason I had always read up on what to do in fires.

Continuing problem here. This makes the character seem so cool and collected. He is so good at dealing with bad situations that he is calm enough, and collected enough to think about all the stuff he'd read up on. What's the problem? It isn't realistic, and it creates a cardboard character instead of a real, realistic individual.

You had a lot more examples of this, but I think you get the point.

Now, a few minor things, not related to writing in first person.

EXAMPLE #6:  I couldn’t . . .”  He trailed off,

This is commenting on dialogue. The reader already knows he trailed off, that was the purpose of ...

EXAMPLE #7:  He nodded, but didn’t say anything in response

Same thing. The reader will know he didn't say anything in response when he doesn't say anything in response. You don't need to say that as a comment.

Now, to add some good stuff to this so-far brutal critique.

The story itself is good. It's darn interesting. I like how it starts with action. I like not yet knowing why he didn't get burned very badly. I like that his parents are keeping something from him. I like that they are about to leave and go to some place foreign and unusual.

To make sure this all shines through, I'd seriously consider changing this to third person. If you do want to keep it in first person (thou I wouldn't recommend it), you need to be very careful to not include all those character thoughts and character focuses that wouldn't be realistic to the scenes. Again, look at Dan's comments above. Most those problems that are created by writing in first person.

Chris
« Last Edit: June 17, 2007, 04:38:22 PM by Christopher »
"Magic? That's not magic! I did that with blood, sweat, and tears."