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Messages - Firemeboy

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61
Robison E. Wells / Re: The Counterfeit
« on: August 04, 2006, 05:23:45 PM »
I guess I could have changed it to "cause I'm waiting for my copy of the counterfeit...

I hear Giants lyrics and I have to join in, related or not.

62
Robison E. Wells / Re: The Counterfeit
« on: August 04, 2006, 04:16:52 PM »
I don't want a pizza, I don't want a piece of peanut brittle, I don't want a pear

I don't want a bagel, I don't want a bean I wouldn't like a bag of beef or a beer

Or a cup of chowder, corn, cake, or creamed cauliflower cause I'm waiting for the dinner bell to do the bell thing

Dinner bell, dinner bell, ding.

63
Robison E. Wells / Re: The Counterfeit
« on: August 03, 2006, 08:09:21 PM »
Congratulations!  Very cool.  

I went into DB the other day, and saw your book.  In the back.  Spine out.

I put it face out, and then kicked a clerk while exiting the building.

To their credit, the clerk turned the other cheek.

Which I kicked.


64
Robison E. Wells / Re: You can hear the music on the AM radio
« on: August 01, 2006, 06:03:48 PM »
Did they promise you a specific amount of time?

65
Robison E. Wells / Re: You can hear the music on the AM radio
« on: August 01, 2006, 01:13:16 PM »
I felt bad I missed this, and then realized that I had it on my iPod.  Dougy podcasts his show now, so if anybody missed the interview, you can download it.

66
Robison E. Wells / Re: Deseret Book vs. Seagull Book
« on: July 19, 2006, 04:33:49 PM »
Quote
Then, they make money by selling those same people the Covenant books which appear discounted, but are actually produced in such a way that they're making full profit off of the 'discounted' books.
 

Very interesting.  Do you know if this is a saving on the actual production of the books, or the money spent on marketing, or what they pay authors?  Or a combination?  And is there a reason DB doesn't adopt the same production processes to become more competitive?  

67
Robison E. Wells / Re: Deseret Book vs. Seagull Book
« on: July 19, 2006, 04:30:28 PM »
Seagull just put out a press release.

http://home.businesswire.com/portal/site/google/index.jsp?ndmViewId=news_view&newsId=20060719005677&newsLang=en


"Seagull Book and Deseret Book have begun discussions to explore options for addressing the differences that have existed between our two companies," said Jon Kofford, executive vice president of Seagull Book. "In the meantime, Deseret Book has extended Seagull Book's ability to purchase Deseret Book products through the end of August 2006."

No additional details about the relationship between Seagull Book and Deseret Book will be forthcoming at this time. "

68
Everything Else / Re: Bye-Bye CleanFlicks
« on: July 19, 2006, 12:05:34 PM »
Not a sensible abreviation?  It pronounced "Fumb".  Sounds perfectly sensible to me...  :)

Or you can just call me Fire.

69
Everything Else / Re: Bye-Bye CleanFlicks
« on: July 18, 2006, 07:44:06 PM »
By the way, a good writeup on the opinion can be found here.

http://blog.ericgoldman.org/archives/2006/07/court_nix_clean.htm

And the opinion in it's entirety can be found here:

http://www.joegratz.net/wp-content/uploads/2006/07/CleanFlicksDistCtOpinion.pdf

70
Everything Else / Re: Bye-Bye CleanFlicks
« on: July 18, 2006, 07:42:19 PM »
It's a very tough subject.  I can completely sympathize with Soderberg and the other directors.  When my pulisher wanted to take things out of my book, because some peopel might find them offensive, I had a hard time doing it.  They were minor pieces, but I felt they added to the story.  I can only imagine the time and effort that these artists put into their work, to get their movie just right.  And to think that somebody else is coming along and cutting it up just because they don't want to watch parts has to be painful.   That is why I said I could argue both sides of the story. I honestly can see their point.

But I'm a libertarian, and tend to fall on the 'more choice is better' side of things.  More information, more choice...  So I would ask again, from a purely philosophical standpoint, how is your viewing of Titanic harmed if somebody else somewhere else is taking out the breasts so they don't have to watch them?  You still get the complete movie.  How is your experience harmed by the way they choose to watch?

There has to be a line drawn somewhere, and it's goign to get sticky somewhere in the middle.  

71
Everything Else / Re: Bye-Bye CleanFlicks
« on: July 18, 2006, 07:30:20 PM »
Ok, upon further reading, the judge actually found the works to not be transformative, so they wouldn't have been affected by the dirivitive clause.  However, since a copy was made, the judge found them in the wrong.

So to my limited reading, it was not the editing that was wrong, but the copying.


72
Everything Else / Re: Bye-Bye CleanFlicks
« on: July 18, 2006, 07:24:35 PM »
Actually, I guess the editing would fall under the 'dirivitive works' line there.  

Does that mean a person cannot edit their own copy?  

73
Everything Else / Re: Bye-Bye CleanFlicks
« on: July 18, 2006, 07:19:31 PM »
From the opinion.

Quote
The Studios claim that CleanFlicks and Family Flix are infringing their exclusive right to reproduce the copyrighted works under § 106(1); that CleanFlicks and Family Flix are violating the Studios’ right to create derivative works under § 106(2); and that all four of the counterclaim defendants are infringing the exclusive right of distribution of copies under § 106(3).


They weren't concerned that there was editing going on, just that there were copies being made, and those copies were being distributed.

Quote
There's nothing wrong with remixing music, but there's something wrong when you sell that remix without getting the permission of the copyright holder.  DM didn't get in trouble for mixing it, he got in trouble for selling it.
 See, again, I'm not so sure.  I worked with an artist at Weber State who painted 'pop art'...  He took images from pop art, painted them, and then sold his work.  Even though there were all sorts of images and logos that are not in the public domain.  That is what pop art is, the painting of popular images..  

74
Everything Else / Re: Bye-Bye CleanFlicks
« on: July 18, 2006, 06:55:08 PM »
Quote
Funny FMB brought up the Grey Album, more or less the same situation, the mixer got in huge trouble for that because he didn't have the rights to sell remixes of the Beatles or the other artists he stoled from.


Sure DJ Danger Mouse got in trouble.  Because it was illegal.  In my opinion it wasn't wrong, it was only illegal.  A lot of people praised the artistic value of that 'illegal' piece of work.  I don't understand why it's legal for an artist to paint a picture of Mickey Mouse or a campbell soup can, and it's art, but a muscian can't remix a few bars of another artist's music.

http://en.wikipedia.org/wiki/The_Grey_Album

I'm not defending Clean Flicks, I was only posing a few questions.  Clean Flicks was breaking the law.  However, I think there is an important clarification.  

Quote
I'm not saying a movie can never be altered. I'm saying it cannot be physically altered except with the copyright holder's permission.


I'm not sure if this is correct.  Please correct me if I'm wrong, but everything I've read said that Clean Flicks is in trouble not for altering their movies, but for copying movies.  It is not illegal to edit your own movies, or to pay somebody to edit your movies, or to buy a movie that has been edited.  The problem Clean Flicks ran into is that to edit the DVDs, they had to make a copy, which is illegal.  If we were still using VHS, and they were slicing tape, then this may not have happened.  The 16 directors won based on the fact that Clean Flicks had to first copy the DVD to edit the movie.

I'm pretty sure there is not a way to edit DVDs without making a copy.

75
Everything Else / Re: Bye-Bye CleanFlicks
« on: July 18, 2006, 01:52:42 AM »
I can see, and think I could argue, both sides of the issue.  The question I would pose is how does selling edited copies of a movie negatively affect those who want to see the regular version?  In other words, if there is a copy of Schindler's List, without all of the nudity, how does that affect my watching the original version?  I can't think of how I'm hurt if somebody else is watching an edited version.  

If I buy a CD, I might listen to songs out of order.  Or I might skip some songs because I don't like them.  Why should anybody care how I interact with the 'art' that I purchase.  I would be willing to bet that a lot of time is spent on 'ordering' the music.  

Of course I tend to allow for even further 'meddling' with artistic things.  I think those who take art and alter or 'remix' it can often give us new and sometimes refreshing insight.  Has anybody heard the Grey Album?  Good stuff, if you're into that kind of thing.  Or what about Fat Boy Slim?  Find “Brimful of Asha” regular version, and then listen to Fat Boy Slim's version.  I'm sure some might prefer the original, but it was Slim's version that shot the song to the top of the charts.  Slim is an example of somebody who takes artists' work, fiddles around with it, and gives it a new twist.  

Of course this isn't what Clean Flix is doing, they are just 'sanitizing it'.  But I guess I tend to be more open to people taking existing material, remixing it, and allowing others to experience it in a different way.  If people want to watch a movie without any of the violence or the nudity, let them do it.  It doesn't affect my experience.  

Maybe tomorrow I'll argue the flip side of the issue, and call myself a friggin' moron.

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