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Messages - ryos

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121
Howard Tayler / Re: Tor Hugo Award Review...
« on: May 27, 2010, 07:59:33 PM »
I think Mandelo's negative opinion comes from only reading the nominated story. Schlock is a tale with epic scope, and Howard has spent ten years building a galaxy-spanning conflict that honestly blows my mind. Most of the complexities and undertones come through in light of the weight of those years of backstory.

But, if you read just LOTA, you come away with a light, fun, worth-reading-but-probably-not-hugo-material piece. In that regard, I agree with her, and perhaps Schlock really isn't hugo material for that reason: it's only truly awesome in large doses, and the hugo awards bite-sized chunks.

122
Reading Excuses / Re: May 24th-Drew P- Untitled Prologue
« on: May 25, 2010, 08:06:04 AM »
I'm sorry to be useless, but I have very little to say about this. There's just not enough here to give a meaningful critique.

I will say that I did see the end coming. I suspected it was coming from the tone at the beginning. When the altar was revealed, I was sure. I'm not saying this to brag, or as a criticism. This is a very good thing—it shows you've portrayed the tone of the event accurately enough to communicate what is really going on without having to explicitly say it. And for those who don't pick up on it, the end is a good surprise.

I could wish to see a little bit more from the supporting cast. I'm getting a vibe that they are in some way familiar to the viewpoint character, and I'd like for that history to come out more. You've shown yourself able to do something like this subtly, and the piece is lacking in wordcount anyway, so you've got room.

Good luck with the next bit. :)

123
I will repeat RC's advice: show don't tell. For explaining the vals, rather than having them described in conversation, why not just describe one that your characters see? As it is, I'm still confused about what a Val actually is. I get that it involves encasing someone in amber, but how you get from bloodless husk to motive, imprisoned soul is still confusing.

The structure of the world is also still confusing. This is Hell...but it's not the afterlife? There's another hell which is? How is it that being drained of blood does not kill a person dead, but stabbing them in the heart does? That just makes absolutely no sense. I wish the answer to this were hinted at. There's plenty of other exposition in this chapter that can wait until later, but I feel like this is necessary to grasp what we see in the three bodies.

Those three bodies are the other thing that's not clear. Perhaps you are trying not to be too grotesque, but the way you describe the bodies is just unclear. Specifically, the one that is translucent; you imply that his soul was removed. But, wouldn't that send him to the afterlife? Or, at least, make him a val? This could just be a mistake, but it seems to me that his soul has to still be whole inside his body.

Awrtek doesn't seem very divine. He doesn't ever actually do anything, and the way he talks leaves the impression that he resents the role he must play as god of mercy. This could be a character conflict that ought to be exploited.

The dialog was better in this one. The prose is still rough as a file. And...I can't think of much else to say. Here's to hoping that chapter 3 will not be confusing in any way. :P

124
Rockets were invented by the Chinese a very long time ago. Just how long ago is a matter of some debate, but at least as early as 1200 A.D.

125
Brandon Sanderson / "Running Spellcheck"
« on: May 24, 2010, 08:45:18 PM »
This is just an idle curiosity.

I've seen Brandon post to his twitter that he had to "run spellcheck" on Towers of Midnight. I've seen Patrick Rothfuss post the same to his blog, mentioning that it takes some six hours for him to spell check en entire novel.

My reaction is still "WTF? I haven't 'run spellcheck' since, oh, 1998, when they started doing it for you as you type." Is there a reason why authors don't use inline spell checking, or is it just a personal preference?

126
If it makes you feel better, the next poster will probably disagree with me. :)

127
Hokay. Let's start with thoughts while reading.

Gaols - you make that sound like an invented creature. You do know it has a different meaning, right?

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As she watched, one of them climbed the ladder with a machete and began hacking down the melon sized spapa fruits.

Climbed the ladder carrying a machete would be more clear. I got this image of him using the machete to climb the ladder. It ended comedically.

When Phay is sitting in a bush at the side of the road having her moment of indecision, you have her start infodumping. Reign that in if you can.

Her decision is made strangely—she decides to go to the city, but her feet have a different idea and then her brain instantly changes its mind. I think I know what you were aiming for, but you missed.

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Sorry Colonel.  I know I’m a dirty thieving murderer, but I happened to see this glider . . .  It sounded lame, even inside her head.

It didn't sound lame to me. That's exactly what I was expecting her to do.

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In the darkness, the glowing runes on the first man’s armor shown like a blazing sun.

Shone. I've noticed this is a frequent mistake for you. Shown for past tense of show. Shone for things that done shined.

End thoughts while reading.

Now, I'm going to have a hard time being harsh as requested, because this story is about 3/4ths awesome. The beginning was great; it sucked me in immediately, and the rest of the piece mostly kept me engaged.

I could have wished to know a little more about the boy she met on the roof. He's a throwaway; Phay doesn't even think about him, but I wondered the whole piece what her relationship was to him and if she felt any loyalty towards him. But actually, he doesn't seem to serve any purpose in the story.

Right off the bat, I could tell you were in trouble. The story had the feel and trappings of a novel. It seems you noticed this about halfway through, and started rushing. Well, you're not going to like what I have to say next: I think this could make a great novel. It doesn't work so well as a short. This is where the quarter that isn't awesome comes in. To turn it into a short would require major plot surgery. I don't even know where to begin advising you on how to do that.

Beyond that, everything was a bit predictable. It was quite obvious that she was going to wind up making friends with Bubba, from their very first contact. I don't know if this was your goal or not. Also, it was quite obvious from the way the Colonel treated her that he was trustworthy, and the Sun Guard was safe. I think you could up the tension if you could manage to convince us that these are a shady bunch, and Phay might actually be in danger. It's in-character for her to be slow to trust, but it falls flat because the situation looks so unambiguously safe to us readers.

In fact, because they were so obviously trustworthy, I kept waiting for their secret sinister dealings to be brought to light. That never happened. Don't get me wrong, I like that they're trustworthy and good; I'm just pointing out what all the other stuff I've read has taught me to expect.

About the Sun Guard: what are they for? It appears as though they're a paramilitary organization, and the government should probably be mistrustful of them. But, then, it also looks like they're a boy scout club. They're too nice and cuddly for me to take them seriously as a training ground for actual soldiers. We know that the Colonel is trying to do something good with his life that doesn't involve killing people, but we don't know what good the Sun Guard is supposed to be doing, or what its goals are.

Also, how is being in the Sun Guard supposed to get you set up with rich suitors? That's never made clear. I don't see how that could be true. Another casualty of the story's chopped length.

I thought Phay's wounds healed too fast. Two days is not really enough time for a serious infection to clear up, let alone for the wound to heal, especially in the absence of antibiotics. Yet, after she wakes up, we never hear another word about the gouges on her back or the bite on her arm, both of which should still be healing and slowing her down.

It was also quite obvious from almost the start that Phaylyn was going to wind up being special, which would earn her a privileged place in the Guard and get her all buddy-buddy with its leadership. I kept waiting for it to happen so we could move past it and get to the interesting bits, namely her training and further exploits. Phaylyn is rather similar to Vin in many respects; you'll note that Vin's acceptance into Kelsier's crew was immediate. It was the beginning of the story. It makes for a pretty crappy ending.

But, well, I love the way you write. Your characters and scenes are always so clear. Your magic systems were alright in this one; nothing special, but good enough to serve.

I also liked the hints of steampunk. Yet another tidbit left undeveloped because the story was too short. And when I say a 12,000-word story is too short, you know you'll have some work to do if you want it to be an actual short story.

So, I hope you do something with this idea. You could maybe get a short out of it, but it probably wouldn't much resemble this piece. You could also get a pretty darn good novel out of it, but again, you'd wind up throwing away most of what you've written here. Such is life, right? Whatever you decide to do, I wish you luck.

128
I just read all five of your submissions over the past few days, so forgive me if this critique covers multiple chapters.

I have two main criticisms to offer you. First, I'll echo the complaints of the others on format. I wanted more to happen during each viewpoint, and the breaks between viewpoints felt arbitrary. You frequently just stop a viewpoint and leave us hanging; I'd wish for a more decisive end. This was not very pronounced at the start of the story, but has gradually grown worse the further you've gone.

Even the division into chapters feels arbitrary. You seem to want to write a chapterless book, like most of Pratchett's Discworld books. That is as valid a format as the chapters most authors use, and you might want to consider it. Otherwise, try to limit your chapters to one or two viewpoints; this seems to be the standard in the books I've read. If you do either of these things, I think the problem of jumping around too much should take care of itself.

Second, Rosalin's not acting the way I expect someone in her position to act. She breezed right through denial and anger, skipped over bargaining and landed hard on depression, where she's currently stuck. I want to pick her up and shake her (heh, like she'd let me), and tell her that her sister isn't dead, so what the heck is she doing wandering despondently through the countryside? What does she want to drink herself into oblivion for? Her sister is alive; she saved her; if she could just find her way back home then she could be reunited with her.

But, is she anxiously engaged in trying to recover what is not forever lost to her? No; she's anxiously engaged in trying to forget that she exists. That's just not the reaction I'd expect from the spunky and attached girl you introduced in the first chapter.

In the realm of more minor criticisms, right now I'm wondering in what way Black Rose's town was her prison. Did the destruction of its buildings break something that bound her? Or has she always been able to to leave as she pleased? There are other questions, such as: how is she preserved alive, in what way is she bound, and what, exactly, is Rosalin, since it's rather obvious she couldn't be her sister? Those are probably best left to later chapters, but a hint about the first would be nice to have right now.

On the positive end of things, I am really enjoying the story. It took reading past the second chapter, but I'm hooked. I like your characters, and you've got a good setup for an interesting story to take place. Keep at it!

129
Everything Else / Re: Scientists create first lab-created organism
« on: May 22, 2010, 03:23:51 AM »
Quote
It corrects the flaws in your DNA that cause aging, so it happens exponentially slower.  (living for nearly eternity).

Aaand that's where you lose me. You mean to tell me that a team of researchers exists that has both created a working gene therapy virus and also identified the genetic cause of aging, and they're sitting on it? No, I'm sorry. You're talking about a pair of holy grails. Instant fame, fortune if you're smart. Ain't nobody sitting on that.

130
Everything Else / Re: TWG on Skype
« on: May 21, 2010, 07:10:30 AM »
I'm cheleball. Add me if you like, but fair warning: I'm never, ever on. I only use it once in a blue moon to send/receive files with my family and a rare video chat.

131
Brandon Sanderson / Re: Preservation is.....Brandon?
« on: May 21, 2010, 04:40:17 AM »
I really doubt this is the case, if only because that would be a Mary Sue, and that's not how he rolls.

For evidence I supply this episode of Writing Excuses.

132
I appreciate the advice. While I won't reject it out of hand, I'll also say that I don't feel any great need to rewrite my story right now. The single most substantial criticism I've received is that there's not enough here. I'll react to this feedback by trying to write more complete chapters, but I'm very cognizant of the fact that this is just the first two chapters, and the rest of the story that everyone wishes were here is still in my head, queued up for later chapters. I literally can't rewrite the first two chapters without putting more down and seeing how that works.

So I'm not too concerned about succumbing to the desire for early revision, and I feel that your critiques will provide me with valuable course corrections as I go. I'll keep submitting, at least for now. :)

133
I sent it to Orson Scott Card's Intergalactic Medicine Show, and they rejected it. I've not gotten around to doing anything else with it. WotF wasn't really on my radar since I've heard they're even more competitive than other markets, but I'd consider anything.

I might end up prepending that story to this one. I've thought about it, but in my mind it just doesn't fit for some reason. If you couldn't tell, I'm really really new at this novel writing thing (yeah, I'm new at fiction writing in general; DtKatF was my second story worth mentioning), and I'm mostly just going on instinct for things like structure and pacing. So, I appreciate these comments; hopefully I'll be able to get the story on track.

134
Thanks, Erik.

On how to say Nmae - I don't really care how people say it. I say it like you do, to be honest. How would an apostrophe make it more pronounceable? Personally, I've never quite known what to do with arbitrary apostrophes in fictional names.

Is there anything specific you wanted more of in the Dalrymple chapter? I suspect it feels rushed for two reasons: one, I was rushed when I wrote it (actually, both these chapters are unedited first drafts; I didn't even proofread them. That's what I get for setting an arbitrary public goal); and two, as I was writing it I was thinking, "They're just going from point A to point B, this is boring." I was actually considering cutting Dalrymple's chapter down, for that reason.

135
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I would have liked to know more about Nmae, however. (And I'm not sure how i feel about her name. Part of me thinks you just typo-ed "Name" and ran with it.)

LOL, that's exactly what I did. I commonly mistype name as nmae, and one day I looked at it and thought, "You know, that kinda looks like a name. Hmm..."

I'm...bad at names. I may wind up renaming her. We'll see.

Thanks for the comments!

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