Since when did the English dept. have a children's lit emphasis?
Technically, the BYU English dept. doesn't. But since the English major is so open and flexible (and I knew I wanted to write children's and YA), I made it work for me. I took 320 "Writing for Children/YA" 3x (1 as a PB class w/ Rick Walton, 2 as general w/ Ann Cannon and Chris Crowe), 419 "Creative Projects" w/ Sally Taylor and focused on YA/child's, 420 "Adolescent Lit" w/ Chris Crowe, a 395 "Studies in Literature" class which was Children's Lit, a 518 class w/ Louise Plummer which was YA novel (funny enough, that's where I met EUOL. He was disguising Mistborn 2 as a "YA" fantasy so he could keep writing it in a BYU grad class and get credit), another 518 class w/ Sally Taylor where I worked on my YA fan novel, and EUOL and Sally Taylor's 318 class "Writing Sci-fi/Fan" where I worked on my YA fan novel.
Even for my 495 class, which is like your capstone class, I picked one that would allow me to do what I wanted. It was on Tolkien and Film, and we compared the LOTR trilogy with the movies, and for my final paper I chose a children's lit project (comparing the film
Ella Enchanted with the book) which I am now trying to revise for publication. I have also attended several local YA/Child's lit conferences such as UVSC's Forum on Children's Lit and BYU's Writers for Young Readers Conference.
After all that, I think I can claim an emphasis in children's/YA literature, even if it is only something I can mention on my resume and grad school applications, since no emphases appear on the BYU transcripts (only minors). The Creative Writing and Editing emphases do exist, but also do not appear on transcripts. You just have to tell people that's what you emphasized in.
There are so many great published writers in the children's/YA field at BYU and here in Utah that I'm surprised they don't have some sort of emphasis in the creative writing area. I think BYU is still a little snobby about it--children's and YA lit isn't "literary" enough for the English department. So, like the flourishing sci-fi/fan community, the child/YA lit community is "underground." You have to seek them out. But anyone can make it work for them, like I did--especially with a faculty and local network so skilled in the national children's/YA market.
P.S. Sorry for the long posts. Brevity is not one of my skills.