And finally we have some concrete decisions being made. Also some hints as to why Kal and Senna are considered criminals.
One thing that didn't work for me was the first paragraph. It was so vague and removed from the characters we're dealing with that at first I thought you'd sent us back to Overlook. It's very poetic, but unfortunately broad enough to apply to the wretched humanity that must still be trapped there. But if you're going to keep it intact, I would suggest moving around the order of sentences in paragraph 2. I'd start it with "This morning awakened life, instead of tormenting it," and then go on from there. That way you've got your juxtaposition of mornings and the two paragraphs mesh much better.
Also, this beginning implies that whoever's narrating has just awakened, but when we see the interaction I get the impression that they've all been up for a while. There's a disconnect somewhere.
After that, though, it goes a lot smoother. I am surprised to find Kalimeris and Senna casually discussing their possible journey to the coast in company with people they don't trust and may not journey on with- they seemed much more cautious than that back in Overlook. And, much as I hate to say it, I'm still not seeing why Dais is even with them to begin with. He's just a kid, and you've implied both that he's some kind of hero (or supposed to be someday), and that Kal and Senna rescued him from some kind of animal (which says to me that he's an ineffective and bumbling hero). And his rather childish assertions that he can be helpful really aren't helping at all. I'm thinking we need to see a bit of his backstory earlier than now to explain why he's here.
The scene where Rosalin is trying to figure out what to say to the group also needs a little work. The internalization works pretty well, except that you don't support it through observation. We need to see facial expressions, shifts in body language, to support Rosalin's thoughts.
Hope this was helpful! It was an enjoyable read. I like it when decisions are made.