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Messages - Archon

Pages: 1 2 3 [4] 5 6 ... 98
46
Rants and Stuff / Re: I feel like a massive tool because...
« on: September 21, 2007, 02:42:30 AM »
Generally speaking, Sigyn, a tool is someone who doesn't think for themselves, or is easily influenced by outside people and opinions, i.e. you are used by those around you. So yeah, I am going to agree with SE, I don't think it's what he was going for.

47
S.N.E.A.K.S. / Re: Chapter One: The Trouble with Trinkets
« on: September 10, 2007, 10:28:46 AM »
OOC: I'm still up for it, if others are.

48
Everything Else / Re: Pretend to Be a Time Traveler Day
« on: September 10, 2007, 10:27:43 AM »
My personal favorite would be the dystopian soldier with the black football pads. You would have to play somebody else's bodyguard, because that just seems like the role for a strong-silent type, but there are so many subtleties you could bring into it, like constantly touching your ear like a secret service agent, or occasionally pulling the person you were guarding behind cover and looking around frantically.

49
Everything Else / Re: Pretend to Be a Time Traveler Day
« on: September 07, 2007, 11:31:41 PM »
Wow, this would be hilarious. I can just imagine sitting in the middle of one of my classes looking like the Master Chief. Oh the reactions you could draw.

50
Everything Else / Re: Star Wars and pants.
« on: June 15, 2007, 07:56:00 AM »
"Don't worry, Chewie and I have gotten into a lot of places more heavily guarded than this!"

-Han Solo

"What an incredible pants you've discovered!"

51
S.N.E.A.K.S. / Re: Chapter One: The Trouble with Trinkets
« on: May 10, 2007, 09:34:25 PM »
OOC: Hey guys, does anyone else want to start this up again?

52
Writing Group / Re: Writing Attachment and Seperation
« on: April 20, 2007, 03:15:06 AM »
Quote
Attachment is when the writing become part of the author.
I think this statement is missing the point. The very act of writing conveys something of the author into the work. Therefore, I don't think that there is ever a point when the writing "becomes" part of the author; I think that is the essential nature of writing. I also think that is one reason why people who are inspired to write are so driven toward it. Writing is a way of conveying a part of oneself. People are social creatures; we weren't meant to keep everything inside our own minds. In many ways, writing can be a substitute for a good conversation.

53
Brandon Sanderson / Re: fiction, philosophy, and rhetoric
« on: April 12, 2007, 02:14:35 AM »
Harrison Bergeron was a very good story, as I recall, and I do believe that you spelled it correctly. I agree with MattD somewhat, in that stories that are overwhelmingly pushing an agenda on you aren't usually that good. However, storytelling has a lot of intricacies, and you don't have to beat your reader over the head with your point to make your story persuasive.

54
Brandon Sanderson / Re: fiction, philosophy, and rhetoric
« on: April 11, 2007, 10:54:47 PM »
I think that speculative fiction is a very useful tool in examining philosophy, especially as it tries to explain human nature. In speculative fiction, the author takes people outside the normal parameters, by definition. In this way, we can dissect the human experience, and figure out more about the world around us. For example, the concept of time is not very commonly explored, except in speculative fiction, when it is commonly talked about in stories related to time travel. Because time becomes the basis of the entire story, it is inevitably explored in greater depth throughout the story, even if it is in speculation. The concept of mortality is most commonly addressed when dealing with immortality. Mind control brings up issues of what will and consciousness really are. There are so many issues dealt with in speculative fiction, that even if the author is using them as rhetoric, they still have great benefit to our understanding of philosophy.

Another benefit of speculative fiction is that it gets people out of their native environment. This is especially important when exploring the nature of people, because it allows people to distance themselves from social elements, that would otherwise be too close to view objectively. Take prejudice, for example. A person might have their own ideas of the social order between the races of the world, which would have an effect on their understanding of prejudice. However, if you have a story in which the conflict revolves around a group of aliens being discriminated against by other aliens because of their antenna length, it will give the person a much more objective viewpoint. From that viewpoint, it is easier to really observe the nature of prejudice.

So, I think that speculative fiction can serve as rhetoric, or as philosophy, or even both. It is a good point that, since an author gets to, in essence, choose who the reader has sympathy for, and who the reader doesn't, it is a very effective persuasive tool. However, I think that, as a whole, speculative fiction does a lot to explore areas of philosophy that other areas of literature tend to neglect.

55
S.N.E.A.K.S. / Re: Chapter One: The Trouble with Trinkets
« on: April 10, 2007, 11:57:08 PM »
OOC: I was under the impression that Orfeo was already in the air, doing reconnaissance, since he was informed that that was to be his part in the plan already.

56
S.N.E.A.K.S. / Re: Chapter One: The Trouble with Trinkets
« on: April 10, 2007, 06:17:45 AM »
Solon explored the streets around the grounds, checking for anything unusual, or anything that might be a problem in the eventual escape. He tried to be as inconspicuous as possible, while also looking for any suspicious characters that might be lookouts for the lord.

57
Brandon Sanderson / Re: Mistborn Wallpaper One
« on: April 06, 2007, 07:42:35 AM »
I had known that they were supposed to be pointed that way, but I had actually pictured them the other way, too, just because I couldn't picture how they would look any other way without them looking just bizarre. Now that I see the way you portrayed them though, driven all the way through their head, they actually make them seem more mysterious and menacing. Also, interestingly enough, I like your portrayal much better than this sketch for the actual cover. Speaking of picturing things weird, I always pictured the Inquisitors having completely grey skin. I don't know if this is actually the way they were described, or if I am just deriving it from somewhere.

58
S.N.E.A.K.S. / Re: Chapter One: The Trouble with Trinkets
« on: April 05, 2007, 04:35:58 PM »
OOC: Yeah, I still check it

59
S.N.E.A.K.S. / Re: Chapter One: The Trouble with Trinkets
« on: March 29, 2007, 07:38:11 PM »
"Yes, Rashial, all of those are good ideas. Also, see if you can't at least get a count on how many guards there are."

Solon turned to Keating.

"I know you wanted to get a better look around, but there are only two options right now, for us to get you in. You can either attempt to talk yourself in through the guards, or we can boost you over the wall. However, if we boost you over the wall, you will have to get yourself back out without our support, since we won't be in contact anymore. Your best options then are to either meet up with Rashial, or to talk yourself back out again. Now, are you sure you can do this without getting caught?"

60
S.N.E.A.K.S. / Re: Chapter One: The Trouble with Trinkets
« on: March 27, 2007, 06:53:25 PM »
Out of character: How high are the walls around the estate?

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