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Messages - maxonennis

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76
Brandon Sanderson / Re: If Mistborn was a movie. . . .
« on: April 02, 2009, 09:59:31 PM »
This has probably already been brought up, but I think the problem with a Mistborn movie is that all the CGI animated fight scenes would completely overshadow the story (which is pretty good).

77
Writing Group / Re: Writing Prompts!
« on: April 02, 2009, 08:13:15 PM »
THIS IS NOT AN INSULT!! Most people have little originality and spin off concepts based on works they recently read and liked. The funny thing is most people can not admit they lack originality/ creative thought (robert heinlien's character lazarus long says less than 10% of man ever has a single creative thought and he may be right) i personally believe i am in the minority but hey i may be deluding myself...

I harp all the time on originality, but truth to be told, there is no such thing as original. Someone, somewhere has done it before. In fact, a lot of “original” ideas are the reuses of old ideas in response to something else being recently over used.

78
Reading Excuses / Re: 3-30-09 Watashi no Aijin Part One
« on: April 02, 2009, 06:42:48 PM »
Plot? I don't need no stinkn' plot!  8)

Hoary for movie references!

79
I love how YA is suddenly "rinky dink" and less worthy than a book written for adults. And just so you know, 200,000 is about 2-3 YA novels.

My favorite book series of all time is a middle grade reader.

 :-[

80
Reading Excuses / Re: 3-30-09 Watashi no Aijin Part One
« on: April 02, 2009, 06:11:41 PM »
You guys seem to be under the impression that I have a plot.  :-\

81
Sorry, but that spot has already been taken by a certain elf hater on this site but you come in at a close second. ;)

Gah!  I can't even antagonize you adequately.  Is there nothing I can do to storm your impenetrable fortress here?  So...powerful!

Hey buddy, I was her archnemesis first!  8)

82
What does word count have to do with story quality? Perfume is one of the shortest novel's I've read and it certainly is NOT a YA book nor a bad one for it's brevity.

I completely agree. The Old Man and the Sea is my favorite novel of all time (it's actually a novella, but anyway). And in that compact little story, is more complexity than in the entire WoT series.

83
Reading Excuses / Re: Your Background
« on: April 01, 2009, 07:34:28 PM »
My name is Renoard or Fred, I'll likely answer to either.  Like I said on "email list", dunno if this constitutes crashing the party.  If not, then let me say that I am a Student of Divinity, ironically, in real life.  I have loved speculative fiction for more years than there has been an MTV and I dabble a bit at writing and criticism.

Mostly I'm a professional time-waster, though I haven't done the RPG thing since before D&D had Drow...

The Writing Excuses threads are fun and really helpful, so they lead me here.

Lol, you'll fit right in  ;D

84
Lol, when I looked at the title (before looking at the poster who put it up), I thought it was some asking how. I was about to put up a post saying to submit the normal way to the publishing house, and that most author's agents won't let them read unsolicited manuscripts.

85
Not knowing him, I couldn't really know what to expect.  :P  And not being the fan type I don't actually check his site with any regularity. :-X  I read the estimates about 2 weeks ago and I read some blog entries.  I might have gotten the 750K from that.  But I'm encouraged to hear at least 300k although from the writer perspective, it seems that longer or shorter would be easier.

As for YA.  An awful lot of YA is close to 200k.  Case in point Green Riders call. I could go on but would be tedious.  90k sounds more like tweenie novels...

But I will take your encouragement and hope you are right.

You can't sell a YA novel at 200K. Most YA is between 50K and 100K.

86
Writing Group / Re: Exposition: What is the best way to handle it?
« on: April 01, 2009, 03:58:35 PM »
I'm actually not a fan of this.  It's pretty much a major turn-off for me in a book.  Do you have to explain everything right away?  No, of course not, BUT, especially in SF and Fantasy, there are certain things about worlds that are crucial to the plot which need explanation.  You do too much of the above, and to me it feels like the author needed something to happen in a certain way and *poof!* there it is, with no foreshadowing and no "method behind the madness" if you will.  Now, in first drafts it probably doesn't matter so much, because you can fix it in revision, but still.

Foreshadowing has nothing to do with info dumping. It's the rule: "show, don't tell". The reader gets an idea of what's going on if you show, for instance, a magic system in action rather than having the narrator think about it. If the acts of the magic (and characters) can't stand on their own without the writer having to have a sit down with the reader to explain everything, then it’s a bad book, with the exception of stories where magic isn’t used to solve problems.

87
Reading Excuses / Re: 3-30-09 Watashi no Aijin Part One
« on: March 30, 2009, 11:08:26 PM »
As I told o'Froggy, it's a literary, fantasy, romance thing.  8)

88
Reading Excuses / Re: 3-30-09 Watashi no Aijin Part One
« on: March 30, 2009, 07:53:09 PM »
Quote
I stood, bowed to sensei’s turned back, and walked away.
My clothes whipped around me furiously."
If this is a complete scene break, is there a way you could make it more obvious? Might also want to catch us up on his activities to get to this point.

There was supposed to be an extra break between the scenes. I changed the format just before sending it out and it might have taken the break out.

And I'm a little surprised that you think of the MC as a male, and the sensei has a female.

89
Writing Group / Re: Exposition: What is the best way to handle it?
« on: March 30, 2009, 04:26:33 PM »

And I do mean that seriously. Have you ever read the DRESDEN FILES by Jim Butcher? I'm on book three, and I still know very little about his world and even his magic system. He explains things only at the very last minute, once they absolutely need to be explained.


That, inconstant magic rules and cussing are the reasons I've never made it past book four. But I'm getting off topic.

I've always said just write the first draft and don't worry about info dumping. Those things can be cleaned up in the second draft. One person I asked told me that he wrote his whole first draft without explaining anything to see if alpha readers could figure it out on their own, or if he need to go in and provide information. I think that is a good system too.

90
Writing Group / Re: Formatting Question
« on: March 30, 2009, 04:19:59 PM »

So, maxonennis–what did you decide to do?

I found two scenes that needed to be pushed back, two that needed to be deleted, and one that was half as long when I rewrote it. So, the character was introduced in chapter four.  :)

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