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Messages - LongTimeUnderdog

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16
To be fair, I made it sound a lot worse then it is.  It's definitely the best you've submitted and it has a lot of good things going for it.

17
Summary:

Prologue:  Traxix is being tried for grievous crimes against the world and all of humanity (or what that equates to anyway).  Imprisoned in a cell of iron, chained to a bed of iron, Traxix lives in complete solitary until the trial.  His friend, Salem, is to represent him in the trial.  His wife, Chalot, is the primary witness against him and the person who imprisoned him.  He receives a visit from a woman claiming to be his daughter who tells him Salem is the person he should be wary of.  Before she can be questioned further, the woman is forced to flee.  During the trial, instead of testifying of all the crimes and injustices Traxix is sure he has committed, she instead preaches of how great a person he is and how the trial is a farce.  She is struck down almost instantly by a man from Calor.  Traxix, quite upset his wife was just killed, rushes to attack the Calorite.  He is stopped and killed by Salem.  Before he dies, Salem draws on his head with a piece of charcoal.

Karemoth:  Karemoth is a the greatest hunter of the Ziphoa tribe.  During the hunt, a child wonders close by and Karemoth loses a leg below the knee trying to rescue her.  The tribe gives him what equates to three days to prove he can still contribute to the well being of all (gather food in some way).  Unable to prove this, he is slated for death, as his body can be processed to food and the blood for drink.  Angry at such a callous treatment of him, after all the things he's done for the tribe, Karemoth kidnaps the witch girl (read white skinned person) and attempts to take her away to kill her as the tribal laws say they all should have done already.  Before he can kill her, however, the Tribe is attacked by a band of witches who kill man warriors and kidnap the High Chief as well as taking the girl, Anaiah, with them.  The tribe is very upset and, despite the problem of Karemoth attempting to run away, they can no kill him now, as they need him to help hunt the witches if he can.  Once found, the War Chief, amazingly enough, converses with them in Numarian (their language) indicating she has a great deal of experience with the witchborn people.  Negotiations fall apart, however, as there is little the tribe can offer for their chief.  The witches have devils fighting for them, controlled by a group of singing women.  Karemoth and his brother husband plan an attack to kill the choir of women and thus render the devils out of control.  In the confusion they try to rescue High Chief but she insists on getting all of their other numerous prisoners out.  This results in her death.  Despite Karemoth's bitterness at his wife's death, the rescued prisoners, also witches, offer to establish exclusive trade with the Ziphoa tribe.  Karemoth's ability to smith things from Bones is one of their particular reason for this.  Save now that he can bring in food in exchange for his smithing, Karemoth is safe, but still very angry at the witches.  Anaiah is returned to the tribe, as no one knows who her real parents are and she is, in turn, given to Karemoth to raise.  Karemoth, Teravan, and Hammond, the three husbands of the late High Chief, decide to use these new trade arrangements as a means of gathering powerful resources and training warriors in the forbidden magic of the witches.  Their plan is to use the devils, like the witches did, to conquer them and steal their resource rich lands back.  They are going to raise Anaiah up to do just that, as she is the only witchborn they can control to do it.

Interlude (Traxix):  Traxix wakes up in a strange place filled with foggy paths and translucent green fortresses.  Touching the bricks of the fortress causes him to relive other people's experiences.  Very suddenly, he finds out he's as alone as he thought he was.

Jin'Cathul:  Jin is the son of Pai'Asie Del'Nosa and her husband, Talvin.  A tall, lanky, Numarian boy with long white hair (that his parents refuse to cut short) trained as a research scientists (or as close as one gets in a B.C. aged world) as well possessing the strange ability to make purple electrical sparks dance on his fingers.  His best friend Chalinae, is upset because among the other freeborn males, he is the least male-like and sets him up for a challenge to prove he is a "man."  This challenge involves invading a neighboring Houses's garden and stealing a red flower.  Unable to figure out how to do that, Jin is greeted by a strange voice while doing work for his father.  The voice convinces Jin he can do it, and helps him plan how.  Jin leaves to do it too early in the planning stages, however, and does not have everything he needs to succeed.  Captured, Jin is slated for death with Chalinae because she put him up to the task.  His parents are able to have him released from the prison but he is forced to do a great deal of work for the people tried to steal from.  The voice in the Kulutinist Tower also implies that Talvin may not actually be Jin's real father.

Current Chapter:  Jin is shown his punishment and starts work on translating and helping his father with experiments involving a hole in the Shroud.  They are waiting for a nurse to come and check out Jin's injuries.

I hope it is an enjoyable chapter.

18
Now that I've read it I have a few things to say as far as mechnics go.

First using !?! in any text outside of comics . . . is not good.  Just . . . don't do it.  !?! is used to convey an exclamatory question.  A way of bringing across emotions in speech, shock, concern, surprise.  As a comic artist you only have the visual medium to work with.  The text in a novel or serial as this is can be used to describe the visual.  The pitch of the voice, the way the eyebrows move, the look on the face.  A visual medium can't talk about the voice, so they use the !?! to deal with that.

Secondly, the line "Vara's Fear was shaking Her Very being," is just a bad line.  It is not the only example of such an annoying line, but it was the first.  The First thing wrong with these kinds of lines is the word "was."  Normally it makes the sentence passive.  In this case it seems more like a rock to trip over, a bump in the road of the text.  All that and "Skaking her very being," is a really . . . really . . . really . . . cliche line.

The old dude with three mouths is interesting, I'll give you that, but the placement is odd.  We have little grasp of the magic or consequences of the magic.  This isn't a bad thing by itself; sometimes it's a good thing.  However, in this case it's just one more weird thing to toss up on the pile of gunk we as the reader are wading through.  Instead of being mysterious, it just drops out from under itself and falls into the, "Oh look, another random whatever."

The old man's personality boarders between the ridiculously cliche and the absurdly ridiculously chiche.  The crazy old guy with the weird whatever.  It's like Levenworth Smedry but less likable.  With Levenworth (from the Alcatraz vs the evil Librarians) we see wisdom in him right from the start.  He's only crazy to Alcatraz.  We as the reader can see passed that and view his power and wisdom in all he does.  He's not just a crazy old man/wizard.  He's a great, Charismatic leader.  This "barbarian" just reminds me of a stereotype from Japanese cartoons. 

19
I didn't get anything in the email.  No link or whatever.

20
Reading Excuses / Re: Email List + Submission Dates
« on: April 23, 2011, 12:49:23 AM »
And another one.   I'm actually surprised I got it done.

21
Hubay, thanks for reading.  You've given me a lot to think about.  But for your own personal information, most of what your wrote tells me I AM actually communicating what I want to about the world, that someone is getting it, and that I'm not as bad as I thought I was.

22
Thanks for reading!  Your comments are very helpful, and very appreciated.

23
Now that Jin has been caught doing something incredibly stupid to impress a lady, We move onto the consequences of that problem . . . and more.

24
Reading Excuses / Re: Email List + Submission Dates
« on: April 13, 2011, 05:59:51 PM »
Another chapter ready for Monday.  Woot!  I'm on a roll!

25
Reading Excuses / Re: April 11 – Hubay – Lord Domestic Ch 8
« on: April 12, 2011, 07:47:21 PM »
One of the fresher things to see in the piece was how the the people seemed like different people with their own ways of handling problems.  I liked that.  The prose are nice and it was a good read.

The stuff about the fox was cute.  I enjoyed it.   Despite having not read much between the first parts and now, I would say things seem far more real than they were back at the beginning.  I don't have much to say beyond that.  You were right, it was one of those "boring parts," but it was honestly the most interesting thing I've read in the story.

26
Reading Excuses / RE- 4/11/11- MannyBrainpan- Untitled Fantasy Serial
« on: April 11, 2011, 08:11:11 AM »
Since it wasn't posted.  I thought I'd just post here.

Soooo . . . . it was actually better then the other parts I've read.  Something I'm noticing is that your work might be suffering from . . . well . . . the format.  I'll try to explain.

This short, serial form seems to lend itself more toward quick, short action.  This means each installment requires its own action flow between start, build, climax, and resolution (or cliffhanger as is more likely the case).  To conserve the space for this rising action and such, it seems you're skimping on the details.  Our heroine is talking to a lizard, but the lizard seems to more behave like the Geico gecko instead of a lizard.  If that's what you want then great.  But I think the pieces would benefit more from details about his behaviors and her behaviors.  This compares, interestingly, to dance.  I hope this helps explain it.

If you've ever watched a good ballroom couple, let's say, dancing a competitive samba.  You can find numerous videos over the internet to see what I'm talking about, if you don't know personally.  Ballroom is essentially broken down into steps.  Left foot here, right foot there.  There is nothing about the arms.  When you watch dancers, they step and step and step, but what makes things look good are the arms.  A good dancer lets the arms do their thing and doesn't push them around.  But the arms are there, and they are what really brings the steps to life.  Your piece is, essentially, missing it's arms.

27
The Chapter in which Jin executes his plan and we have a small run in with someone familiar.

28
Reading Excuses / Re: Email List + Submission Dates
« on: April 08, 2011, 01:08:01 PM »
Apparently someone hacked my Email account, changed my password and stuff.  Because I'm annoyingly paranoid, [email protected] is no longer in use and any emails coming from there . . . are not mine.

The new Email is [email protected].  Why?  Because I couldn't think of anything better.  Thanks.

29
Reading Excuses / Re: Email List + Submission Dates
« on: April 06, 2011, 08:04:19 PM »
Got something for next week, at least.  Tried, but couldn't get it for this week.

30
Thank you so much for reading.  I'm glad you like the Sin stuff.  I like that character a lot.

You're right that gold is much more expensive then copper and the like.  Aside from more "symbolic" reasons for using gold (as you'll learn later in the story), gold is unique among metals because it doesn't corrode.  If you want to make a lasting account of anything, you write it in gold.  It will never oxidize or tarnish.  Gold literally lasts forever.

The voice . . . well I agree with you.  He does sound odd.  And that's because he's written to sound like Puss in Boots from Shrek.  That aside . . . I appreciate your observation about sounding like other people but saying weird stuff being a stronger.  You're probably right, as usual, and it would be good of me to listen to you.  So I will.

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